News

Nicole Mitchell Black Earth Ensemble European premiere of "Mandorla Awakening"

Flutist-composer-ensemble leader Nicole Mitchell's award-winning Mandorla Awakening II project with the Black Earth Ensemble—joined by UCI colleague Ko Umezaki on Shakuhachi—will make its European premiere on February 9 in Stockholm


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Mari Kimura – The Tradition of Revolution: Improvisation, Composition and Motion Sensor for the Violin

Violinist and composer Mari Kimura will give a lecture at UC Santa Barbara's Alliance of Women in Media Arts and Technology on February 9, 2018. She will discuss and demonstrate her renown extended technique “Subharmonics”, playing pitches one octave lower than the lowest open G without changing the tuning of the violin.


Read More: Mari Kimura – The Tradition of Revolution: Improvisation, Composition and Motion Sensor for the Violin

Choral Music of UCI Introduces AcaLove

The masterful melodies of seven choral groups came together in Winifred Smith Hall here on campus on January 26th for the first annual AcaLove: Southern California A Cappella Festival. This premier event was made possible by the director of UCI’s choral program, Dr. Seth Houston, and co-event coordinators Kenai Gonzalez and Ryan Duong.  Nearly a year of planning, creating, and working went into this night with the goal of cultivating a stronger a capella community throughout Southern California. The festival’s lineup featured four UCI groups: Vermillion Vocalists, Uniting Voices, Circle of Fifths, and UCI Chamber Singers; and traveling to Irvine were UCSD’s Tritones, CSUN’s AcaSola, and USC’s Overflow.


Read More: Choral Music of UCI Introduces AcaLove

Choral Music of UCI Introduces AcaLove

The masterful melodies of seven choral groups came together in Winifred Smith Hall here on campus on January 26th for the first annual AcaLove: Southern California A Cappella Festival. This premier event was made possible by the director of UCI’s choral program, Dr. Seth Houston, and co-event coordinators Kenai Gonzalez and Ryan Duong.  Nearly a year of planning, creating, and working went into this night with the goal of cultivating a stronger a capella community throughout Southern California. The festival’s lineup featured four UCI groups: Vermillion Vocalists, Uniting Voices, Circle of Fifths, and UCI Chamber Singers; and traveling to Irvine were UCSD’s Tritones, CSUN’s AcaSola, and USC’s Overflow.


Read More: Choral Music of UCI Introduces AcaLove

La Jolla's Best Bets for Events

UC San Diego’s 22nd annual Lytle Scholarship Concert, “Jazz Piano Summit,” will feature a unique solo improvisation set from visionary musicians Cecil Lytle, Kei Akagi, Mike Wofford and Tobin Chodos, capped off by a show-stopping finale that will merge the talents of all four performers, 3 p.m. Sunday, Jan. 28, Conrad Prebys Concert Hall, UC San Diego campus, corner of Rupertus Lane and Russell Lane. 


Read More: La Jolla's Best Bets for Events

La Jolla's Best Bets for Events

UC San Diego’s 22nd annual Lytle Scholarship Concert, “Jazz Piano Summit,” will feature a unique solo improvisation set from visionary musicians Cecil Lytle, Kei Akagi, Mike Wofford and Tobin Chodos, capped off by a show-stopping finale that will merge the talents of all four performers, 3 p.m. Sunday, Jan. 28, Conrad Prebys Concert Hall, UC San Diego campus, corner of Rupertus Lane and Russell Lane. 


Read More: La Jolla's Best Bets for Events

Nicole Mitchell, an Innovative Flutist With an Afrofuturist Vision

Nicole Mitchell, 50, the artist-in-residence at this week’s Winter Jazzfest in New York, brings an eclectic ear and a frothy vigor to her instrument. The flute is rarely given much of a chance in jazz — maybe it seems too quiet, too liquid, too fey — but she has transcended all that, becoming a leading voice of the music’s cutting edge.

Yet Ms. Mitchell has the demeanor of an author more than a protagonist. Her projects typically begin with a conceptual narrative and end as a group endeavor, with many voices spilling into a collective expression. What can sometimes be forgotten is that Ms. Mitchell is probably the most inventive flutist in the past 30 years of jazz. So too can the fact that all her music — from its fetching melodies and shadowy harmonies to the synergistic resolve of her bands — flows from her careful engineering.

That was the case with Bamako*Chicago Sound System, a group that Ms. Mitchell coleads with the Malian kora player Ballake Sisoko, but that
Read More: Nicole Mitchell, an Innovative Flutist With an Afrofuturist Vision

Nicole Mitchell, an Innovative Flutist With an Afrofuturist Vision

Nicole Mitchell, 50, the artist-in-residence at this week’s Winter Jazzfest in New York, brings an eclectic ear and a frothy vigor to her instrument. The flute is rarely given much of a chance in jazz — maybe it seems too quiet, too liquid, too fey — but she has transcended all that, becoming a leading voice of the music’s cutting edge.

Yet Ms. Mitchell has the demeanor of an author more than a protagonist. Her projects typically begin with a conceptual narrative and end as a group endeavor, with many voices spilling into a collective expression. What can sometimes be forgotten is that Ms. Mitchell is probably the most inventive flutist in the past 30 years of jazz. So too can the fact that all her music — from its fetching melodies and shadowy harmonies to the synergistic resolve of her bands — flows from her careful engineering.

That was the case with Bamako*Chicago Sound System, a group that Ms. Mitchell coleads with the Malian kora player Ballake Sisoko, but that
Read More: Nicole Mitchell, an Innovative Flutist With an Afrofuturist Vision

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