Christopher Dobrian is Professor of Integrated Composition, Improvisation, and Technology in the Department of Music, with a joint appointment in the Department of Informatics. He is a composer of instrumental and electronic music, and teaches courses in composition, theory, and computer music. He conducts research on the development of artificially intelligent interactive computer systems for the cognition, composition, and improvisation of music. He has published technical and theoretical articles on interactive computer music, and is the author of the original reference documentation and tutorials for the Max, MSP, and Jitter programming environments by Cycling '74. He holds a Ph.D. in Composition from the University of California, San Diego, where he studied composition with Joji Yuasa, Robert Erickson, Morton Feldman, and Bernard Rands, computer music with F. Richard Moore and George Lewis, and classical guitar with the Spanish masters Celin and Pepe Romero.
Dobrian has been an invited Fulbright specialist at the Korean National University of Arts, the University of Paris-Sorbonne, and McGill University in Montreal, and has been a guest professor at Yonsei University, Taiwan National Normal University, University of Paris 8, and the National University of Quilmes in Argentina. His computer music compositions include Microepiphanies: A Digital Opera, a completely computer-controlled performance; Invisible Walls for dancers, motion tracking system, and computer-controlled synthesizer; Distance Duo for two computer pianos in remote locations connected via Internet; Mannam for Korean flute (daegeum) and interactive computer system; JazzBot for piano and musical robots; Tautology for Two for trumpet, trombone, and computer, with the instrumentalists located in different cities; and Gestural for digital piano and interactive computer system responding to the musical gestures of an improviser.
For more information, please visit http://music.arts.uci.edu/dobrian