R. Anderson Sutton, Indonesia, Chapter 7 of Worlds of Music, 3rd shorter edition, ed. Jeff Titon (Schirmer, 2008)
Sumarsam, excerpt from "Gamelan as Intercultural Object," in Javanese Gamelan and the West (University or Rochester Press, 2013)
Michael Tenzer, "Two Lelambatan," (excerpt from "Integrating Music: Personal and Global Transformations"), in Analytical and Cross-Cultural Studies in World Music, ed. Michael Tenzer and John Roeder (Oxford University Press, 2011)
Mervyn Cooke, "Benjamin Britten and the Balinese gamelan," Indonesia Circle (1990)
Richard Mueller, "Javanese Influence on Debussy's 'Fantaisie' and beyond," 19th-Century Music 10/2 (1986)
Donald Mitchell, "Catching on to the technique in Pagoda-land," The Britten Companion, ed. Mervyn Cooke (Cambridge, 1984)
Leta E. Miller and Fredric Lieberman, "Lou Harrison and the American Gamelan," American Music 17/2 (1999), 146–78.
Henry Spiller, "Lou Harrison's Music for Western Instruments and Gamelan: Even More Western than it Sounds," Asian Music 40/1 (2009), 31–52.
Pete Steele, "Gamelan Fusion Post-Multiculturalism," Perspectives of New Music 53/1 (2015), 189–213.
David B. Reck, India/South India, Chapter 6 of Worlds of Music, 3rd shorter edition, ed. Jeff Titon (Schirmer, 2008)
Michael B. Bakan, part of "From raga to bollywood," in World Music: Traditions and Transformations, 2nd ed. (McGraw-Hil, 2012)
Jann Pasler, "Race, Orientalism, and Distinction in the Wake of the 'Yellow Peril'," in Writing through Music: Essays on Music, Culture, and Politics (Oxford University Press, 2007), 249–82.
Allison Welch, "Meetings Along the Edge: Svara and Tala in American Minimal Music," American Music 17/2 (Summer 1999), 179–99.
John Cage, "East in West," Asian Music 1/1 (1968–69), 15–18.
Excerpt from Kenneth Silverman, Begin Again: A Biography of John Cage (Evanston: Northwestern University Press, 2012), pp. 272–74.
Jeremy Grimshaw, "Divergent Dreams", from Draw a Straight Line and Follow It: The Music and Mysticism of La
Monte Young (Oxford: Oxford University Press, 2011), pp. 99–113.
David Locke, "Africa: Ewe, Mande, Dagbamba, Shona," Chapter 3 of Worlds of Music, 3rd shorter edition, ed. Jeff Titon (Schirmer, 2008)
Amelia Cuni, "Chance Generate ragas in Solo for Voice 58: a Dhrupad Singer Performs John Cage," Journal of the Indian Musicological Society 41 (201-12), 127–54.
Gerry Farrell, "Indian Music and Jazz: reflections of Form," in Indian Music and the West (Oxford University Press, 1999), 188–200.
Gopinath, Sumanth, '"A Composer Looks East": Steve Reich and discourse on non–western music', Glendora Review, African Quarterly on the Arts, 3/3–4 (2004): 134–45.
Martin Scherzinger, "'Art' music in a cross-cultural context: the case of Africa," in The Cambridge History of Twentieth-Century Music (Cambridge: University of Cambridge Press, 2004), 584–613.
Steve Reich, "Gahu–A Dance of the Ewe Tribe in Ghana" (1971), "Drumming" (1971), "Clapping Music" (1972) and "Postscript to a Brief Study of Balinese and African Music" (1973) from Writings on Music 1965–2000 (Oxford University Press, 2002), 55–71.
John O. Robison, "Akin Euba, Chaka, and Intercultural Opera in Africa," Música. Arte. Diálogo. Civilización (Center for Intercultural Music Arts, Portugal, 2008), 125–42.
Martin Scherzinger, liner notes for African Math
Keith Potter's analysis of Reich's Drumming, in Four Musical Minimalists (Cambridge: University of Cambridge Press, 2000), 212–25.
Martin Scherzinger, Towards a supplementary approach to the study of African Music within modernity
Rainer Polak, "Rhythmic Feel as Meter: Non-Isochronous Beat Subdivision in Jembe Music from Mali," Music Theory Online 16/4 (Dec. 2010)
David Locke, "Yewevu in the Metric Matrix," Music Theory Online 16/4 (Dec. 2010) and at Tufts
Brief excerpt from Christine Lucia, “The Landscape Within: Kevin Volans and the String Quartet,” South African Music Studies 29 (2009), 1–30.
Martin Stokes, “Ethnicity, Identity and Music,” in Ethnicity, Identity and Music: The Musical Construction of Place, ed. Martin Stokes (Oxford: Berg, 1997), 1–28.
John Corbett, “Experimental Oriental: New Music and Other Others,” in Western Music and Its Others, ed. Georgina Born and David Hesmondhalgh (Berkeley: University of California Press, 2000), 163–86.
Björn Heile, “Weltmusik and the globalization of new music,” in The Modernist Legacy: Essays on New Music, ed. Björn Heile (Farnham, UK: Ashgate, 2009), 101-21
Harm Langenkamp, “Close Encounters of Another Kind: Strategies of Intercultural Composition 1960s–2000s,” Dutch Journal of Music Theory, 16/3 (2011), 180–201
Presentations
Balinese music 1 ppt
Balinese music 1 keynote
Carnatic Music ppt
Hindustani music 1 ppt
Hindustani music 2 ppt