Scott, Stanley. “Modernism in South Asian Art Music." In The Modernist World, edited by Stephen Ross and Allana C. Lindgren (Abingdon: Routledge, 2015), 136–44.
Corbett, John. “Experimental Oriental: New Music and Other Others." In Western Music and Its Others, edited by Georgina Born and David Hesmondhalgh, Berkeley: University of California Press, 2000, 163–86..
Bhagwati, Sandeep. “Stepping on the Cracks or, How I Compose With Indian Music in Mind." The World of Music, 45/2 (2003): 113–24.
Ensemble Modern. Conversation with Indian improvisors working with Ensemble Modern on Bhagwati's Rasalîla
Powerpoint on Hindustani Music, 1
Powerpoint on Hindustani Music, 2
Indian Contemporary Music Playlist
Sandeep Bhagwati's Soundcloud page (some samples of work in article)
Program notes on Imrat Khan
John Mayer, Six Ragamalas for solo cello and tanpura(1983), movement V as pdf and Word doc, score, due March 6
John Mayer, Six Ragamalasfor Cello and Tampura (1983)
Vaneet Shende, Reva’s Lullaby for guitar (2017)
Sandeep Bhagwati, Pradham Samagam (2006)
Sandeep Bhagwati, Stele V for Druba Ghosh (2022)
John Cage, Songbooks No. 58 (1970)
Albert Roussel, Evocations, No. 3 (1910-11)
Carnatic Music
David B. Reck, India/South India, Chapter 6 of Worlds of Music, 3rd shorter edition, ed. Jeff Titon (Schirmer, 2008).
Listening map for Sarasamadana
Applying Karnatic Rhythmical Techniques to Western Music.
Hindustani Music
Michael B. Bakan, part of "From raga to bollywood," in World Music: Traditions and Transformations, 2nd ed. (McGraw-Hil, 2012).
Transcription for Rag Alhaiya bilaval (Khyal), Shruti Sadolikar Katkar.
Open Stax lesson on Indian Classical Music.
Music of India, Chandrakantha and David Courtney.
Ragopedia
Indian Music and the West
Cage, John. "East in West." Asian Music, 1/1 (1968-69), 15-18.
Cuni, Amelia. “Chance Generate Ragas in Solo for Voice 58: A Dhrupad Singer Performs John Cage.” Journal of the Indian Musicological Society 41 (2011): 127–54.
Farrell, Gerry. “Indian Music and Jazz: Reflections of Form Indian Music and the West.” Indian Music and the West (1999): 188–200.
“Divergent Dreams.” In Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young (Oxford: Oxford University Press, 2011), 99–113.
Pasler, Jann. ”Race, Orientalism, and Distinction in the Wake of the 'Yellow Peril.’”, In Writing through Music: Essays on Music, Culture, and Politics (Oxford University Press, 2007), 249-82.
Silverman, Kenneth. Excerpt, from Begin Again: A Biography of John Cage. (Evanston: Northwestern University Press, 2012), 272–74.
Welch, Allison. “Meetings Along the Edge: Svara and Tala in American Minimal Music.” American Music 17/2 (1999): 179–99.