Jaji, Tsitsi. “Music and Modernism in Africa." In The Modernist World, edited by Stephen Ross and Allana C. Lindgren (Abingdon: Routledge, 2015), 197–205.
Scherzinger, Martin. “'Art' Music in a Cross-Cultural Context: The Case of Africa." In The Cambridge History of Twentieth-Century Music, edited by Nicholas Cook and Anthony Pople, (Cambridge: University of Cambridge Press, 2004), 584-613.
Heile, Björn. Profile of Akin Euba. Global Musical Modernisms (2022).
Robison, John O. “Akin Euba, Chaka, and Intercultural Opera in Africa." Música. Arte. Diálogo Civilización, (Center for Intercultural Music Arts, Portugal, 2008), 125–42.
Volans, Kevin. "The Genesis of a Composition, String Quartet No. 5, Dancers on a Plane." Tempo
76/299, 2021: 67–78.
Kevin Volans, String Quartet No. 2, Hunting: Gathering, I, reh A-F (1987) as pdf and Word doc, score of Hunting, Gathering I, A-F, associated description of Volans' style from Christine Lucia, “The Landscape Within: Kevin Volans and the String Quartet,” South African Music Studies 29 (2009), 6–12. due March 22
Kevin Volans, String Quartet No. 5, Dancers on a Plane (1994)
Akin Euba, Themes from Chaka for piano (1996)
Martin Scherzinger, score for Hallucinating Accordian for Piano Trio, movement I, movement II, movement III, movement IV (2006)
African Traditional Music
Agawu, Kofi. "Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm." Journal of the American Musicological Society, vol. 50/1, 2006, pp. 1-46.
Agawu, Kofi V. Representing African Music: Postcolonial Notes, Queries, Positions . Routledge, 2003.
Agawu, Kofi V. The African Imagination in Music . Oxford University Press, 2016.
Agordoh, Alexander Akorlie. African Music: Traditional and Contemporary . Nova Publishers, 2005.
Dargie, Dave. “The redoubtable Nofinishi Dywili uhadi master and Xhosa song leader.” South African Music Studies annual , 2011, pp. 1-30.
Denis-Constant, Martin and Simha Arom. “Combining Sounds to Reinvent the World, World Music, Sociology, and Musical Analysis.” In Analytical and Cross-Cultural Studies in World Music , edited by John Roeder Michael Tenzer, 2011, pp. 388–413.
Erlmann, Veit. Music, Modernity, and the Global Imagination: South Africa and the West . Oxford University Press, 1999.
Locke, David. “Yewevu in the Metric Matrix.” Music Theory Online , vol. 16/4, 2010.
David Locke, "Call and Response in Ewe Agbadza Songs: One Element in a Network of Musical Factors," Analytical Approaches to World Music 3/1 (2013).
Martin, Denis-Constant. Sounding the Cape: Music Identity and Politics in South Africa. 2013.
Polak, Rainer. “Rhythmic Feel as Meter: Non-Isochronous Beat Subdivision in Jembe Music from Mali.” Music Theory Online , vol. 16/4, 2010.
Scherzinger, Martin, "Fractal Harmonies of Southern Africa," Analytical Approaches to World Music 3/1 (2013).
Scherzinger, Martin. “African Music and the History of Time.” History of Humanities , vol. 62, 2021, pp. 397-426.
African Classical Music and Influence
Agawu, Kofi. “Review of Chaka. An Opera in Two Chants," Leopold Sédar Senghor, by Akin Euba and Leopold Sédar Senghor.” Research in African Literatures, vol. 32/2, 2001, pp. 196-98.
Agawu, Kofi. “The Challenge of African Art Music.” Circuit Musiques contemporaines, vol. 21/2, 2011, pp. 49-64.
Blake, Michael. The Origins and History of the Bow Project: A Chronology On The Bow Project : Nightingale String Quartet [CD].: TUTL FKT044 (2010).
Breitinger, Eckhard.“Heroes of South African History as Operatic Heroes: Akin Euba’s Chaka and Nbongemi Ngema’s the Zulu.”South African Theatre Journal, vol. 13/1, 1991, pp. 103-8.<
Brukman, Jeffrey. “Creative Ethnomusicology” and African Art Music: A Close Musical Reading of Wood and Clay, Kundi Dreams and Umrhubhe Geest by Anthony Caplan.” African Music: Journal of the International Library of African Music, vol. 142–63, 2017.
Euba, Akin. “Concepts of Neo-African Music as Manifested in the Yoruba Folk Opera.” The African Diaspora: A Musical Perspective, 2003, pp. 207-39.
Euba, Akin.“Remembering Joshua Uzoigwe: Exponent of African pianism (1946-2005).” Journal of the Musical Arts in Africa, 2003, pp. 207-39.
Gopinath, Sumanth. A Composer Looks East": Steve Reich and discourse on non–western music." Glendora Review, African Quarterly on the Arts, 3/3–4 (2004): 134–45.
Muller, Stephanus.“Miniature Blueprints Spider Stratagems: A Michael Blake Retrospective at 60.” The Musical Times 2:1 (2005), 84-88.
Muller, Stephanus.“Michael Blake’s String Quartets and the Idea of African Art Music.” Tempo vol. 76/300, 2022, pp. 6-17.
Omojola, Bode.“African Pianism as an Intercultural Compositional Framework: A Study of the Piano Works of Akin Euba.” Research in African Literaturesvol. 32/2, 2001, pp. 153-74.
Omojola, Bode.“African Pianism.”"Historical Background of Modern Nigerian Art Music.In Nigerian Art Music?: With an Introduction Study of Ghanaian Art Music.2013, pp. 9-38.
Ozah, Marie Agatha.“Building Bridges Between African Traditional and Western Art Music: A Study of Joshua Uzoigwe’s Egwu Amala.” Analytical Approaches to World Musicvol. 3/1, 2013.
Potter, Keith.Analysis of Reich's Drumming. In Four Musical Minimalists (Cambridge: University of Cambridge Press, 2000), 212–25.
Reich, Steve.“Gahu–A Dance of the Ewe Tribe in Ghana 1971, Drumming 1971, Clapping Music 1972, Postscript to a Brief Study of Balinese and African Music 1973." In Writings on Music 1965–2000. 2002, pp. 55-71.
Riva, Nepomuk."The Invention of African Art Music: Analyzing Europea-African Classical Cross-Over Projects." In Music Practices Across Borders: Evaluating Space, Diversity and Exchange dited by Glaucia Peres da Silva and Konstantin Hondros (Bielefeld: transcript-verlag, 2019), 127–50.
Sadoh, Godwin. “Modern Nigerian Music: The Postcolonial Experience.” The Musical Timesvol. 150/1908, 2009, pp. 79-84.
Stewart, James. “Timeline: Olatunji Akin Euba 1935-2020.”
Martin Scherzinger. Liner notes for African Math.
Uzoigwe, Joshua.“Akin Euba: An Introduction to the Life and Music of a Nigerian Composer.” Bayreuth African Studies Series , vol. 25, 1992.