Bhagwati, Sandeep. “Glossaire Raisonné/reasoned Glossary." In Circuit 28/1 (2018): 15-22.
Langenkamp, Harm. "Close Encounters of Another Kind: Strategies of Intercultural Composition 1960s–2000s." Dutch Journal of Music Theory16/3 (2011): 180–201.
Wood, Abigail. "From Klezmer to Dabkah in Haifa and Weimar: Revisiting Disrupted Histories in the Key of D." The World of Music 7/1-2 (2018): 61–79.
Heldt, Katja. "Transcultural Music-Making in Contemporary Music Ensembles: Five Approaches in Germany, the Netherlands, Uzbekistan and Turkey." Circuit 28/1 (2018): 45–57.
Program notes. Nomaden (2015–16) (Manuscript) for Cello and Large Intercultural Ensemble. Atlas Ensemble, Joël Bons, Ed Spanjaard conductor, BIS 2073 (2018)
Kevin Volans, String Quartet No. 2, Hunting: Gathering, I, reh A-F (1987) as pdf and Word doc, score of Hunting, Gathering I, A-F, associated description of Volans' style from Christine Lucia, “The Landscape Within: Kevin Volans and the String Quartet,” South African Music Studies 29 (2009), 6–12. due March 22
Tolga Yayalar, Di Luce i Ombra for chamber ensemble (2005)
Tolga Yayalar, Lacrymae (after Dowland) for Kemençe & Microtonal Guitar (2013)
Omnibus Ensemble on Soundcloud
Bauer, Amy and Márton Kerékfy. "Introduction." In György Ligeti’s Cultural Identities, edited by Márton Kerékfy Amy Bauer (Oxon: Routledge, 2017), 1–11.
Langenkamp, Harm. "Contested Imaginaries of Collective Harmony: The Poetics and Politics of ‘Silk Road’ Nostalgia in China and the West." In China and the West: Music, Representation, and Reception Edited by Yang Hon-Lun and Michael Saffle (Ann Arbor: University of Michigan Press, 2017), 243-264.
Heile, Björn. “Erik Bergman, Cosmopolitanism and the Transformation of Musical Geography.” In Transformations of Musical Modernism, edited by Julian Johnson and Erling E. Guldbrandsen (Cambridge: Cambridge University Press, 2015), 74–96.
Irlandi, Luigi Antonio. “Non-Western Musical Instruments and Contemporary Composition.” (2020).
Östersjö, Stefan. "Musical and Musicianly Listening in Intercultural Practice." Circuit 28/1 (2018): 35–44.
Global Musical Modernism at Humanities Commons.