Julian Anderson, "A Provisional History of Spectral Music," Contemporary Music Review 19/2 (2000), 7-22.
Jonathan Cross, "Introduction: Spectral Thinking," Twentieh-century Music 15/1 (2018), 2-9.
Robert Sholl, "Olivier Messiaen, Spectralist" The Oxford Handbook of Spectral Music, Edit. by Amy Bauer, Liam Cagney, and William Mason (Oxford, 2022).
Chart of Messiaen's Modes of Transposition and late chord types
Roderick Chadwick, "La Fauvette des jardins and the ‘Spectral Attitude’, in Messaien Persepctives 2, ed. Christopher Dingle and Robert Fallon (Ashgate, 2013).
Cheong Wai-Ling, "Plainchants as coloured time in Messiaen’s ‘couleurs de la cite céleste’, Tempo 64/254 (2010), 20-37.
Julian Anderson, "La Note Juste," The Musical Times, 36/1823 (1995), 22-27.
Tristan Murail, "Scelsi, De-composer," trans. Robert Hasegawa, Contemporary Music Review 24/2-3 (2005), 173-180.
Benjamin Levy, "Ligeti’s Distant Resonances with Spectralism," The Oxford Handbook of Spectral Music, Edit. by Amy Bauer, Liam Cagney, and William Mason (Oxford, 2022).
Amy Bauer, "The Transparent Tangle of History: Ligeti's Lontano, in Ligeti's Laments: Nostalgia, Exoticcism and the Absolute (Ashgate, 2011).
Bob Gilmore "On Claude Vivier's 'Lonely Child'," Tempo, 61/239 (2007), 2-17.
Joshua Fineberg, "Spectral Music," Contemporary Music Review 19/2 (2000), 1-5.
Joshua Fineberg, "Guide to the Basic Concepts and Techniques of Spectral Music," Contemporary Music Review 19/2 (2000), 81-113.
Jacques Tremblay, "L’écriture à haute voix : ‘Lonely Child’ de Claude Vivier, (fr) Circuit : musiques contemporaines (11/1 (2000), 45-67.
Viviana Moscovich, "French Spectral Music: An Introduction," Tempo 200 (1997), 21-27.
Gérard Grisey, "Did You Say Spectral?," trans. Joshua Fineberg, Contemporary Music Review 19/2-4 (2000), 1-3.
François-Xavier Féron, "Spectra as Theoretical and Practical Models in Gérard Grisey's Creative Process," The Oxford Handbook of Spectral Music Ed. Amy Bauer, Liam cagney and Will Mason (Oxford, 2022).
Robert Hasegawa, "Gérard Grisey and the Nature of Harmony," Music Analysis 28/ii-iii (2009), 349-71.
Liam Cagney, "Vers une ÉCritur Liminate. Serialism, spectralism and écriture in the transitional music of Gérard Grisey," Music Analysis 28/ii-iii (2009), 349-71.
Tristan Murail, "Spectra and Sprites," trans. Tod Machover, Contemporary Music Review 24/2-3 (2005), 137-147.
Liam Cagney, "Spectra as Theoretical and Practical Models in Gérard Grisey's Creative Process," The Oxford Handbook of Spectral Music Ed. Amy Bauer, Liam Cagney and Will Mason (Oxford, 2022).
Tristan Murail, "Target Practice," trans. Joshua Cody, Contemporary Music Review 24/2-3 (2005), 149-171.
Chris Gainey, "Timbre-Harmony in the Opening of Tristan Murail’s Désintégrations, SMT presentation.
Kaija Saariaho, "Timbre and harmony: Interpolations of timbral structures," Contemporary Music Review 2/1 (1987), 93-133.
Amy Bauer and Landon Morrison, "Electroacoustics, optics, and microtonal aesthetics in the music of Georg Friedrich Haas," The Oxford Handbook of Spectral Music Ed. Amy Bauer, Liam Cagney and Will Mason (Oxford, 2022).
Anne Sivuoja-Gunaratnam, "Miniatures and tensions: phenomenological reverberations in and around Kaija Saariaho's Lichtbogen (1985-86)," Intersections : Canadian journal of music = Revue canadienne de musique 25/1-2 (2005).
Judith Lochhead, "Technê of Radiance. Kaija Saariaho’s Lonh (1996)," in Reconceiving Structure in Contemporary Music (Routledge, 2016), 149-171.
Judith Lochhead, "On Saariaho’s Microsonology," in The Oxford Handbook of Spectral Music Ed. Amy Bauer, Liam Cagney and Will Mason (Oxford, 2022).
Georg Friedrich Haas, "Five Theses on Microtoanlity," trans. AB
Landon Morrison, "Playing with Shadows: Reinjection Loops and Historical Allusion in Georg Friedrich Haas’s Live Electronic Music," Circuit, musiques contemporaines 29/2 (2019)
Liviu Marinescu, "Horatiu Radulescu and the Intangible Dimensions of Plasmatic Music," The Oxford Handbook of Spectral Music Ed. Amy Bauer, Liam Cagney and Will Mason (Oxford, 2022).
Aaron Hayes, "The Phenomenological Turn in Romanian Spectralism," The Oxford Handbook of Spectral Music Ed. Amy Bauer, Liam Cagney and Will Mason (Oxford, 2022).
Iancu Dumetritrescu "The Irradiant Force of Sound," in Spectral World Musics: Proceedings of the Istanbul Spectral Music Conference Ed. Robert Reigle and Paul Whitehead (Instanbul: Pan, 2008) .
Horatiu Radulescu, "Brain and Sound Resonance; The World of Self-Generative Functions as a Basis of the Spectral Language of Music," I Annals of the New York Academy of Sciences 999 (New York, 2003), 322-363.
William Dougherty, "On Horatiu Radulescu’s Fifth String Quartet (Before the Universe Was Born) Op. 89," Tempo 58 (2014), 149-171.
Guy Livingston, "Interview with Horatiu Radulescu," Paris Transatlantic (Sept. 4, 2007).
Horia Surianu, "Romanian Spectral Music or Another Expression Freed," trans. Joshua Fineberg, Contemporary Music Review 19/2 (2000)
Interviews with Avram and Dumitrescu
Alessandro Arbo, "Psychedelic Rock, Techno, and the Music of Fausto Romitelli," The Oxford Handbook of Spectral Music Ed. Amy Bauer, Liam Cagney and Will Mason (Oxford, 2022).
Stephen Lehman, "French Spectral Music & Improvisation," The Oxford Handbook of Spectral Music Ed. Amy Bauer, Liam Cagney and Will Mason (Oxford, 2022).
Martin Kaltenecker, "Fausto Romitelli en son temps," (fr) Circuit : musiques contemporaines 24/3 (201), 9-20.
Trent Leipert, "The Submerged Subject of Video-Opera: Fausto Romitelli’s An Index of Metals" The Opera Quarterly 33/2 (2017), 161-183.