Indonesian Texts in Lanson Library or online
Oxford Bibliography on Indonesian Music
Sutton, R. Anderson, Calling back the spirit: music, dance, and cultural politics in lowland South Sulawesi (New York: Oxford University Press, 2002), DS632.M25 S87 2002.
Spiller, Henry, Erotic triangles [electronic resource]: Sundanese dance and masculinity in West Java (Chicago: University of Chicago Press, 2010), GV1703.I532.
Divine inspirations: music and Islam in Indonesia, edit. David D. Harnish, Anne K. Rasmussen (New York: Oxford University Press, 2011), ML345.I5 D58 2011.
Sustainable futures for music cultures: an ecological perspective, edit. Huib Schippers and Catherine Grant (New York, NY: Oxford University Press, 2016), ML3799.2 .S87 2016.
Sounding the dance, moving the music [electronic resource]: choreomusicology in maritime Southeast Asia, edit. Mohd Anis Md Nor and Kendra Stepputat (London ; New York: Routledge, 2017), ML3740.
McPhee, Colin, Music in Bali; a study in form and instrumental organization in Balinese orchestral music (New Haven, Yale University Press, 1966), ML345.B3 M25.
Bakan, Michael B., Music of death and new creation: experiences in the world of Balinese gamelan beleganjur (Chicago: University of Chicago Press, 1999), ML345.I5 B35 1999.
Dibia, I W. (I Wayan), Balinese dance, drama and music: a guide to the performing arts of Bali (Tuttle Pub., 2004), GV1703.I53 B35 2004.
McGraw, Andrew Clay, Radical traditions: reimagining culture in Balinese contemporary music (New York: Oxford University Press, 2013), ML345.I5 M25 2013.
Essays on Southeast Asian performing arts: local manifestations and cross-cultural implications, edit. Kathy Foley (Berkeley: International and Area Studies, Center for South and Southeast Asia Studies, University of California at Berkeley, 1992), PN2911.5 .E8 1992.
Enchanting powers: music in the world's religions, edit. Lawrence E. Sullivan (Cambridge, Mass.:Harvard University Press,1997), ML2900 .E56 1997.
In the course of performance: studies in the world of musical improvisation, edit. Bruno Nettl with Melinda Russell (Chicago: University of Chicago Press, 1998), ML430.7 .I47 1998.
Sumarsam, Javanese Gamelan and the West [electronic resource] (Woodbridge: Boydell & Brewer, 2013), ML1251.J4.
Sumarsam, Gamelan: cultural interaction and musical development in central Java (Chicago: University of Chicago Press, 1995), ML345.I5 S86 1995.
Resounding transcendence: transitions in music, religion, and ritual, edit. Jeffers Engelhardt and Philip V. Bohlman (New York, NY: Oxford University Press, 2016), ML3921 .R48 2016.
Spiller, Henry, Gamelan: The Traditional Sounds of Indonesia (ABC-Clio, 2004) ML1251.I53 S76 2004
Spiller, Henry, Javaphilia: American love affairs with Javanese music and dance (Honolulu: University of Hawaiëi Press, 2015), ML200.5 .S65 2015.
Kunst, Jaap, Music in Java; its history, its theory and its technique (The Hague, M. Nijhoff, 1949), ML345 .K95.
Lentz, Donald A., The gamelan music of Java and Bali; an artistic anomaly complementary to primary tonal theoretical systems (Lincoln, University of Nebraska Press, 1965), ML345.J39 L45.
Perlman, Marc, Unplayed melodies: Javanese gamelan and the genesis of music theory (Berkeley: University of California Press, 2004), ML345.J3.
Weiss, Sarah, Listening to an earlier Java: aesthetics, gender, and the music of wayang in central Java (Leiden: KITLV Press, 2006), ML345.I57 J39 2006.
Gold, Lisa, Music in Bali: experiencing music, expressing culture (New York: Oxford University Press, 2005), ML345.I5 G65 2005.
Richter, Max M., Musical worlds in Yogyakarta [electronic resource] (Singapore: Institute of Southeast Asian Studies, 2013), ML345.I45.
Weiss, Sarah, "Analyzing Javanese Grimingan: Seeking Form, Finding Process," Analytical Approaches to World Music 1:1 (2011)
Gray, Nicholas, "Reflections on Composing for Balinese Gendér Wayang: The Birth of Kala," Analytical Approaches to World Music 2:2 (2013)
McGraw, Andy and Christine Kohnen, "The Byar: an Ethnographic and Empirical Study of a Balinese Musical Moment," Analytical Approaches to World Music 5:1 (2016)
The Classical Music of India
Oxford Bibliography on Indian Music
Additional Readings in South Asia: The Indian Subcontinent, Alison Arnold, ed. (New York: Garland Publishing, Inc., 2000)
Arnold, Alison, "Profile of South Asia and its Music"
Catlin, Amy, "Karnatak Vocal and Instrumental Music"
Howard, Wayne, "Vedic Chant"
Kassebaum, Gayathri Rajapur, "Karnatak Raga"
Kippen, James R, "Hindustani Tala"
Miner, Allyn, "Musical Instruments: Northern Area"
Nelson, David Paul, "Karnatak Tala"
Reck, David, "Musical Instruments: Southern Area"
Ruckert, George and Richard Widdness, "Hindustani Raga"
Slawek Stephen, "Hindustani Instrumental Music"
Wade, Bonnie C., "Hindustani Vocal Music"
History of Indian Music
Rowell, Lewis, Music and Musical Thought in Early India (Chicago: University of Chicago Press, 1992)
Rowell, Lewis, "Theoretical Treatises" in South Asia: The Indian Subcontinent.
Nijenhuis, Emmiete, Indian Music: History and Structure (Leiden: Brill, 1974)
Simms, Robert, "Scholarship since 1300" in South Asia: The Indian Subcontinent.
Indian Classical Music
Powers, Harold S., "Indian Music and the English Language: A Review Essay." Ethnomusicology 9/1 (1965): 1-12.
Kinnear, Michael S., A Discography of Hindustani and Karnatic Music (Westport. CT: Greenwood Press, 1985)
Wade, Bonnie, Music of India: The Classical Traditions (Englewood Cliffs, NJ, MD: Prentice-Hall, 1988)
Carnatic Music
Bhagyalekshmy, S., Ragas in Carnatic Music (Trivandrum: CBH Publications, 1990)
Bhagyalekshmy, S., Carnatic Music Compositions. 2nd edition (Nagercoil: CBH Publications, 1998)
Brown, Robert E., "The Mrdanga; A Study of Drumming in South India." Ph.D. diss., University of California at Los Angeles, 1965)
Catlin, Amy Ruth, "Variability and Change in Three Karnataka Kriti-s: A Study of South Indian Classical Music." Ph.D. diss., Brown University, 1980)
Chelladurai, P. T. The Spendour of South Indian Music (Dindigul, Tamilnadu: Vaigarai Publishers, 1980)
Catlin, Amy Ruth, "Variability and Change in Three Karnataka Kriti-s: A Study of South
Indian Classical Music." Ph.D. diss., Brown University,
Dhandapati, M. N. and D. Pattammal, Ragapravaham: Index to Carnatic Ragas (Madras: Fine Offset Printers, 1991)
Diksitulu, Brahmasri Subbarama. C., Sangita Sampradaya Pradarsini. Volumes I - IV. English Translation in 1910-13 (republished. in 2012), Pappu Venugopala Rao, ed. (Madras: The Music Accademy, 1904)
Devnath, Lakshmi, An Incurable Romantic: The Musical Journey of Lalgudi Jayaraman (Nioda, Uttar Pradesh: Harper Collins Publishers, 2013)
Jackson, William, "Features of the Kriti: A Song Form Developed. by Tyagaraja," Asian Music 24/1 (1992): 19-66.
Jackson, William J., Tyagaraja: Life and Lyrics (Madras: Oxford University Press, 1991)
Jackson, William, "Religious and Devotional Music: Southern Area" in South Asia: The Indian Subcontinent.
Kaufmann, Walter, The Ragas of South India: A Catalogue of Scalar Material (Bloomington: University of Indiana Press, 1976)
Krishna, T M., A Southern Music: The Karnatik Story (Nioda, Uttar Pradesh: Harper Collins Publishers, 2013)
Kumar, K. and Stackhouse, J. Classical Music of South India: Karnatic Tradition in Western Notation (Stuyvesant, N.Y.: Pendragon Press.
L'Armand, Kathleen, and Adrian L'Armand, "One Hundred. Years of Music in Madras: A Case Study in Secondary Urbanization." Ethnomusicology 27/3 (1983): 411–38.
Morris, Robert, "A Review of Classical Music of South India: Karnatic Tradition in Western Notation by Kanthimathi Kumar and Jean Stackhouse." JMR (1990): 267–71.
Morris, Robert, "Variation and Process in South Indian Music: Some Kritis and their Sangatis." Music Theory Spectrum 23/1 (2001): 75-89.
Morris, Robert, "The Survival of Music: Musical Citizenship in South India," Perspectives of New Music, 42 (2004): 66-87.
Morris, Robert, "Architectonic Composition in South Indian Classical Music: The 'Navaragamalika Varnam'," in Analytical Studies in World Music, Michael Tenzer, ed. (London and New York: Oxford University Press, 2006)
Morris, Robert and Chitravina N. Ravikiran, "Ravikiran's Concept of Melharmony: An Inquiry into Harmony in South Indian Ragas," Music Theory Spectrum, 28/2 (2006): 255-76.
Morris, Robert, Tana Varnam-s: An Entry into Raga Delineation in Carnatic Music," Analytical Approaches to World Music 1:1 (2011)
Nelson, David Paul, "'Mrdangam' Mind: The 'Tani Avartanam' in Karnatak Music." Ph.D. diss.,Wesleyan University, 1991).
Nelson, David Paul, Solkattu Manual: An Introduction to the Rhythmic Language of South Indian Music (Middleton, CT: Wesleyan University Press, 2008)
Pesch, Ludwig, Raga Dhana: an Alpha-numerical Directory of Ragas. 2nd Edition (Irinjalakuda, Trichur, Kerala: Natana Kairali, 1993)
Pesch, Ludwig, The Illustrated Companion to South Indian Classical Music (Lomdon and New York: Oxford, 1999)
Powers, Harold S., "Musical Art and Esoteric Theism: Muttusvami Dikshitar's Anandabhairavi Kirtanams on Siva and Sakti at Tiruvarur." In Discourses on Siva: Proceedings of a Symposium on the Nature of Religious Imagry. Michael
W. Meister, ed. (Bombay: Vakils, Feffer & Simons Ltd., 1984)
Rajagopala Iyer, S. c., Sangeetha Akshara Hridaya: A New Approach to Tala Calculations (Bangalore: Gaanarasika Mandali, 1988)
Rahn, Jay, "Structure, Frequency and Artificiality in South Indian Melas." in T. Temple Tuttle, ed., Proceedings of the Saint Tyagaraja Music Festivals, 1978-81 (Cleveland Ohio: The Greater Cleveland Ethnographic Museum, 1981)
Ramakrishna, Lalita, The Varnam: A Special Form in Karnatak Music (New Delhi: Harmon Publishing House, 1991)
Ramanathan, N., Essays on Tala and Laya (Bangalore: Percussive Arts Centre, 1997)
Ramanujachari, C. c., The Spiritual Heritage of Tyagaraja (Madras: Sri Ramakrishna Math, 1970)
Rao, B. Dayananda, Carnatic Music Composers: A Collection of Biographical Essays (Hyderabad: The Triveni Foundation, 1995)
Reck, David B,. "Musical Instruments: Southern Area" in South Asia: The Indian Subcontinent.
Sambamoorthy, P., A Dictionary of South Indian Music and Musicians. Vol. I-III. (Madras: The Indian Music Publishing House, 1984)
Sambamoorthy, P., South Indian Music, Books. 1-6 (Madras: The Indian Music Publishing House, 1964)
Simon, Robert L., "Tyagaraja and the South Indian Bhajan Sampradaya." Asian Music 20/1(1988): 114-27.
Skelton, William, "The Nagaswaram and the South Indian Hindu Festival." Asian Music 2/1 (1971): 18-24.
Subba Rao B., Raganidhi, Volumes I-IV (Madras: The Music Academy, 1996) Subramaniam, Karaikudi S., "An Introduction to the South Indian Vina." Asian Music 16/2 (1985): 7-82.
Swift, Gordon N., "South Indian Gamaka and the Violin." Asian Music 21/2 (1990): 71-89.
Terada, Yoshitara, "T. N. Ragarattinam Pillai and Caste Rivalry in South Indian Classical Music," Ethnomusicology 44/3 (2000): 460-90.
Vedavalli, M. B., Ragam Tanam Pallavi; Their Evolution, Structure and Exposition. M.R.J. Publications: (Bangalore, 1995)
Vijayakrishnan, K. G., The Grammar of Carnatic Music. Berlin: Walter de Gruter GmbH & Co., 2007)
Visvanathan, Tanjor, "Raga Alapana in South Indian Music." Ph.D. diss., Wesleyan University, 1974)
Viswanathan, Tanjor, "The Analysis of Raga Alapana in South Indian Music." Asian Music 9/1/ (1977): 13-77.
Viswanathan, T. and Mathew Harp Allen, Music in South India: Experiencing Music (London and New York: Oxford University Press, 2004) ML338 .V57 2004
Hindustani Music
Clayton, Martin, Time in Indian Music: Rhythm, Meter, and Form in North Indian Rag Performance.(London and New York: Oxford University Press, 2000)
Daniélou, Alain, Northern Indian Music Vol I-II (London: Halcyon Press. Jairazbhoy, N. A. 1971)
Daniélou, Alain, The Rags of North India (London: Faber and Faber, 1954).
Kaufmann, Walter, The Ragas of North India (Bloomington: University of Indiana Press, 1968)
Kippen, James, The Tabla of Lucknow, A Cultural Analysis of a Musical Tradition (Cambridge: Cambridge University Press, 1988)
Neuman, Daniel, The Life of Music in North India (Detroit: Wayne State University Press, 1980)
Prajnanananda, Swami. A Historical Study of Indian Music (Delhi: Munshiram Manoharlal, 1981)
Ranade, Ashok, Hindustani Classical Music: Keywords and Concepts (New Delhi: Promilla & Co., 1990)
Rao Suvarnata, Wim van der Meer and Jane Harvey, The Raga Guide: A survey of 74 Hindustani Ragas Joep Bor, ed. Wyastone Leys (Monmouth, UK: Nimbus Records, 1999)
Ruckert, George, Introduction to the Classical Music of North India (St. Louis: East Bay Books—MMB Music, inc., 1991)
Shankar, Ravi,My Music, My Life(New York: Simon and Schuster, 1968) ML338.S475 M9 1969b
Shepherd, Frances, "Tabla and the Banares Gharana." Ph.D. diss., Wesleyan University, 1976)
Stewart, Rebecca, "The Tabla in Perspective." Ph.D. diss., University of California at Los Angeles, 1974)
Subba Rao B., Raganidhi, Volumes I-IV (Madras: The Music Academy, 1996)
Wade, Bonnie, Khyal: Creativity within North India's Classical Music Tradition (Cambridge" Cambridge University Press, 1984)
Chloe Zadah, "Formulas and the Building Blocks of thumri Style—A Study in "Improvised" Music," Analytical Approaches to World Music 1:1 (2011)
Cross-Cultural
Lockhart, Peter, Indian Rhythms for Drumset (New York: Hudson Music, 2008).
Michael Tenzer, "Temporal Transformations In Cross-Cultural Perspective: Augmentation In Baroque, Carnatic And Balinese Music," Analytical Approaches to World Music 1:1 (2011)