Harmonic Dualism

 

and the Challenge of Wagner

 

MM 302

 

Hauptmann and Dualism:

 

Moritz Hauptmann, The Nature of Harmony and Metre. Trans. W.E. Heathcotes. UK: Swan Sonnenschein, 1888, 3-53.

 

Henry Klumpenhower, "Dualist tonal space and transformation in nineteenth-century musical thought," The Cambridge History of Western Music Theory. Cambridge University Press, 2008, 456-7.

 

Maryam A. Moshaver, "The Poetics of Music Theory and the Writings of Rameau and Hauptmann," Dutch Journal of Music Theory 15/3 (2010), 155-68.

 

Chromatic harmony ala Wagner:

 

Carl Mayrberger, "Die Harmonik Richard Wagner’s aus den Leitmotiven des Vorspiels zu Tristan und Isolde erläutert." Bayreuther Blätter 4 (1881):169–180. (in German).

 

Max Arend, "Harmonische Analyse des Tristanvorspiels." Bayreuther Blätter 24 (1901): 160-69. (in German).

 

Georg Capellen, "Harmonik und Melodik bei Richard Wagner." Bayreuther Blätter 25 (1902): 3-23. (in German).

 

Robert W. Wason, Maryberger and Jadassohn Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg (Ann Arbor: Univerdsity of Michigsn Press, 1984), 90-96.