Simon Steen-Andersen, Jennifer Walshe and Stefan Prins
Stephan Drees, “«Expanded music»: the technological extension of body and instrument in Simon Steen-Andersen’s Piano Concerto (2013/14),”, Writing, Technology, Composers 1973–1983: Nuove Musiche No. 5, ed. Giacomo Albert and Andrea Valle (2020): 97-119.
Iga Batog, "Black Box Music by Simon Steen-Andersen: The Visual Layer as a Sound-Determining Factor," Muzykologów UJ, 46/3 (2020).
Jennifer Walshe, "The New Discipline: An Artistic Manifesto."
Fabian Czolbe, “Staging Technology - Composing with and within Digital Everyday Life,”, Writing, Technology, Composers 1973–1983: Nuove Musiche No. 5, ed. Giacomo Albert and Andrea Valle (2020): 143-163.
Jennifer Walshe on Opera, Music Theater, and Collaboration: Interview by Elaine Fitz Gibbon, Opera Quarterly 39/3-4: 198–205.
Simon Steen-Andersen
Piano Concerto, performed by Nicolas Hodges, Andre de Ridder and Helsinki Symphony Orchestra, 2021.
Black Box Music (2012) Avanti!
RunTime Error (2009-2022) ( Festival Musica Strasbourg
Double Up for orchestra and sampler (2010),
TRIO SWR Donaueschinger Musiktage 2019 London Sinfonietta
Jennifer Walshe
JAll the Many Peopls (2011), for solo voice, DVD and electronics.
The Total Mountain (2014), for voice and film with sound.
Volunteer Chorus (2015).
Everything is Important (2016), or voice, string quartet and film (with sound).
Stefan Prins, Generation Kill (2012), Nadar Ensemble.
Steen-Andersen, Piano Concerto
Steen-Andersen, Black Box Music
Jennifer Walshe, The Total Mountain (2014), synopsis.
Stefan Prins, "Hybrid Bodies in Hybrid Spaces. A Composition Portfolio," Harvard dissertation
Lasse Laursen, "Orchestration Strategies in Simon Steen-Andersen’s Double Up," Music Theory Online, 22/3 (2016).
Porträtfilm Simon Steen-Andersen in German.
Steen-Andersen in his workshop.
Anne Holzmüller, "The politics of poetry : piano hero (2011/2017) by Stefan Prins," Nuove Musiche 5, 2018 (contact me for copy)