Brian Ferneyhough, James Dillon
Arnold Whittall, “Theory, History, Analysis: Exploring Contemporary Complexity", Theory and Practice, 37/38 (2012-2013): 241-261.
Richard Toop, “Against a Theory of Musical (New) Complexity,” in Contemporary Music: Theoretical and Philosophical Perspectives, ed. Max Paddison and Irène Deliège (London: Routledge, 2016), 89–98.
James Dillon, Sixth String Quartet
Brian Ferneyhough, Sixth String Quartet
Brian Ferneyhough, Cassandra's Dream Song
James Boros, “Why Complexity? (Part Two),” Perspectives of New Music, Winter, 1994, Vol. 32, No. 1 (Winter, 1994): 90- 101.
Stuart Paul Duncan, “Re-Complexifying the Function(s) of Notation in the Music of Brian Ferneyhough and the ‘New Complexity’,” Perspectives of New Music, Volume 48, Number 1, Winter 2010, pp. 136-172.
Brian Ferneyhough, “The Tactility of Time (Darmstadt Lecture 1988),” Perspectives of New Music, Vol. 31, No. 1. (Winter, 1993), pp. 20-30.
Brian Ferneyhough, “Form-Figure-Style: An Intermediate Assessment,” Perspectives of New Music, Vol. 31, No. 1. (Winter, 1993), pp. 32-40.
Steven Schick, “Developing an Interpretive Context: Learning Brian Ferneyhough's Bone Alphabet,” Perspectives of New Music, Winter, 1994, Vol. 32, No. 1 (Winter, 1994), pp. 132-153.