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Required Reading:
Clifton Callender, "Voice-Leading Parsimony in the Music of Alexander Scriabin," Journal of Music Theory, 42,:2, Neo-Riemannian Theory (1998), 219-33.
Dmitri Tymoczko, "Scale Networks in Debussy," Journal of Music Theory 48/2 (2004), 219–94.
Ramon Satyendra, "An Informal Introduction to some Formal Concepts from Lewin's Transformational Theory," Journal of Music Theory 48 (2004), 99–141;
John Roeder, "Transformation in Post-Tonal Music,"Oxford Music Handbooks Online, Aug 2014.
Michael Siciliano, "Two Neo-Riemannian Analyses," College Music Symposium 45 (2005), 81-107;
Daniel Harrison, "Remarks on Fantasia on a Theme by Thomas Tallis," The Oxford Handbook of Neo-Riemannian Music Theories (Oxford University Press, 2011), 564–77.
José Oliveira Martins, "Bartók's Polymodality: The Dasian and Other Affinity Spaces," Journal of Music Theory 59/2 (2015), 273–320.
Peter Kaminsky , "Ravel's Late Music and the Problem of 'Polytonality," Music Theory Spectrum 26/2 (2004), 237–64.
Richard Cohn, "Hexatonic Cycles," in Audacious Euphony: Chromatic Harmony and the Triad's Second Nature (Oxford University Press, 2012), 17–41.
Keith J. Waters and J. Kent Williams, "Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960," Music Theory Online 16/3 (2010)
Byron Almén, "Narrative Archetypes: A Critique, Theory, and Method of Narrative Analysis," Journal of Music Theory 47 (2003): 1–39.
Nicholas Reyland, "Livre or Symphony? Lutoslawski's Livre pour orchestre and the Enigma of Musical Narrativity," Music Analysis, 27/ii-iii (2008), 253–94.
Further Reading:
Michael Cherlin, "On Adapting Theoretical Models from the Work of David Lewin," Indiana Theory Review, 14/2 (Fall 1993), 19-43;
Chapter One, Steven Rings, Tonality and Transformation (Oxford: Oxford Studies in Music Theory, 2011)
Richard Cohn, "Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations," Journal of Music Theory 41/1 (1997), 1–66.
Richard Cohn, "Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective," Journal of Music Theory 42/2 (1998), 167–80.
John Roeder and Scott Alexander Cook, "Triadic Transformation and Parsimonious Voice Leading in Some Interesting Passages by Gavin Bryars," Intégral 20 (2006), 43-67.