Week 8


Tōru Takamitsu, Kaija Saariaho, Steve Reich and American Minimalism

 

Read


Joseph Auner, "Making Traditions in East Asia,” in Music in the twentieth and twenty-first centuries (NY: W. W. Norton, 2013), 274–76.

Julian Anderson, “Seductive Solitary. Julian Anderson Introduces the Work of Kaija Saariaho,” The Musical Times 133/1798 (Dec., 1992), 616-19.

Steve Reich, Music as a gradual process (1968).

Steve Reich, Music for 18 Musicians (1976), program note.

Joseph Auner, “Minimalism and its Repercussions," in Music in the twentieth and twenty-first centuries (NY: W. W. Norton, 2013), 278–94.

 

Listening link and scores

 

Takemitsu, A Flock Descends into the Pentagonal Garden (1977)

Saariaho, Excerpts from The Grammar of Dreams, version for for soprano and electronics (2002) .

Reich, Music for 18 Musicians Part I.

 

Extra Reading/listening

 

James Siddons, “Tōru Takemitsu," in Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook, ed. Larry Sitsky (Bloomsbury, 2002), 508–23.

Steve Reich, Drumming score.

Kaija Saariaho, From the Grammar of Dreams, for soprano and electronics, Divertimento Ensemble

Kaija Saariaho on her From the Grammar of Dreams