Parody: Le Grand Macabre
Amy BauerExcerpt from "The transparent tangle of history,", Ligeti's Laments: Nostalgia, Exoticism, and the Absolute Farnham, UK: Ashgate, 2011.
Yayoi Uno Everett, "Signification of Parody and the Grotesque in György Ligeti's Le Grand Macabre," Music Theory Spectrum 31/1 (2009), 26-56.
Further Reading
Peter Edwards, "Resisting Closure: The Passacaglia Finale from György Ligeti's Le Grand Macabre," Music Analysis 35/2 (2016), 258-78.
Amy Bauer, Excerpt from Language and Opera paper on LGM
Score
