Music 230

Seminar in Contemporary Opera

 

Modernist Music Theater, Modernist Opera, Postmodern Opera

 

Paul Griffiths, "Music Theater," Modern Music and After. Oxford: Oxford University Press, 2011.

Eric Salzman and Thomas Desi, "Toward a Theory of the New Music Theater," The New Music Theater. Seeing the Voice, Hearing the Body. Oxford: Oxford University Press, 2008.

Arnold Whittall, “New Opera, Old Opera: Perspectives on Critical Interpretation,” Cambridge Opera Journal 21/2 (2010), 181-98.

Tom Sutcliffe, "21st-century opera - going for a song," in Belivieing in Opera, Princeton: Princeton University Press, 2014.

Further Reading

Herbert Lindenberger, "Towards a Characterization of Modern Opera," Modernist Cultures 2/1 (2007), 84-93.

Wayne Heisler Jr., "Are 'Works' Enough?," The Opera Quarterly 35/1-2 (2019), 135–38

Björn Heile, “Recent Approaches to Experimental Music Theatre and Contemporary Opera,” Music and Letters 87/1 (2006), 72–81.

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Video

Stravinsky, Oedipus Rex (1927), Ozawa, Norman, Langridge 1992

Tippett, The Midsummer Marriage (1946-52), Finale, Elijah Moshinsky.

Henze, The Bassarids (1965) excerpt, Teotro dell'Opera di Roma 2015

Berio, Laborintus II (1965), ensemble Intercontemporain, Accentus, Axe 21

Birtwistle, Punch and Judy (1966), Walter Kobera Neue Oper Wien

Maxwell Davies, Eight Songs for a Mad King (1969), Psappha Ensemble

Kagel, Staatstheater (1967-70). Repertoire, Kölner Ensemble für Neue Musik

Glass, Einstein on the Beach (1976), Knee play 1, Train, revival

Reich and Korot, The Cave (1993), excerpt, Musica Strasbourg

Resources