Sound as icon, sign, and text:

 

semiotic approaches to music

 

Required Readings

 

Hooper, Giles. “A Sign of the Times: Semiotics in Anglo-American Musicology.” Twentieth-Century Music 9/1–2 (2013): 161 – 176.

 

Hatten, Robert S. “Introduction.” In Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert. Bloomington: Indiana University Press, 2004, 1–18.

 

Monelle, Raymond. “The Search for Topics.” In The Sense of Music: Semiotic Essays. Princeton University Press, 2010, 14–40.

 

 

Suggested Readings

 

Agawu, Kofi. Playing with Signs: a Semiotic Interpretation of Classical Music. Princeton: Princeton University Press, 1991.

 

Agawu, Kofi. ‘The Challenge of Semiotics’, in Rethinking Music, ed. Cook, and Everist, Oxford: Oxford University Press, 1999, 138–61.

 

Agawu, Kofi. Music as Discourse: Semiotic Adventures in Romantic Music. Oxford: Oxford University Press, 2009.

 

Hatten, Robert. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation. Bloomington: Indiana University Press, 1994.

 

Hatten, Robert. "A Theory of Musical Gesture and its Application to Beethoven and Schubert." in Music and Gesture, ed. Gritten, and King. Abingdon: Routledge, 2016, 1–23.

 

Mirka, Danuta. "Intoduction," In The Oxford Handbook of Topic Theory. Danuta Mirka, ed. Oxford: Oxford University Press, 2013.

 

Monelle, Raymond. Linguistics and Semiotics in Music. London: Harwood, 1992.

 

Nattiez, Jean-Jacquez. Music and Discourse: Toward a Semiology of Music. Princeton: Princeton University Press, 1990.

 

Samuels, Robert. Mahler's Sixth Symphony: a Study in Musical Semiotics. Cambridge: Cambridge University Press, 1995

 

Tarasti, Eero. “The Emancipation of the Sign: On the Corporeal and Gestural Meanings in Music.” Applied Semiotics/Sémiotique appliquée 2/4 (1997): 15–26.

 

Tarasti, Eero. Signs of Music: a Guide to Musical Semiotics. Berlin: Mouton de Gruyter, 2002.