News

Nicole Grimes presented at the symposium Music Aesthetics in Britain in the Long Nineteenth Century

Nicole Grimes, Assistatn Professor of Musicology, presented a paper called "On Silencing Brahms: Ethics and Aesthetics in E. M. Forster's Howards End," at the symposium "Music Aesthetics in Britain in the Long-Nineteenth Century," King's College London, December 15-16, 2017.


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Alumni Kelly Moran’s album “Bloodroot” was named one of the top 25 classical albums of the year by the New York Times

‘BLOODROOT’ Kelly Moran, keyboards (Telegraph Harp). When writing for “prepared” piano, some composer-performers focus on timbral effects to the exclusion of all else. Throughout this rewarding set of miniatures, Ms. Moran avoids this pitfall. The avant-garde touches she employs may be inspired by John Cage, but her melodies are memorable, and original. 


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Nicole Grimes gave talk at Osher Lifelong Learning Institute

Nicole Girmes, Assistant Professor of Musicology gave a talk at the Osher Lifelong Learning Institute on "Performing Wagner in Israel" on December 12, 2017.


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Nicole Mitchell was awarded top jazz album of the year by the New York Times

Nicole Mitchell was awarded top jazz album of the year by the New York Times for Nicole Mitchell's Black Earth Ensemble, “Mandorla Awakening II: Emerging Worlds” on FPE records.


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Nicole Mitchell's Black Earth Ensemble was Awarded an International Grant

Nicole Mitchell's Black Earth Ensemble was awarded an international grant by USArtists International, a program of the Mid Atlantic Arts Foundation, to perform at the Edison festival in Sweden. For more information on the final grant recipients.


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For Women in Jazz, a Year of Reckoning and Recognition

This year women in the music industry, especially jazz, has managed to break through the barriers of sexism and stereotypes.

Espereza Spalding is a bassist and vocalist that has recorded an entire album titled "Exposure", a portrayal of self expression and form of breaking social norms. For 77 hours straight she has produced this piece beautifully crafting and gradually transitioning to a public spectacle. This project was meant to be a challenge to herself, as she was the only woman in the room in a male dominated space. This piece became the representation of women in the workplace, including the women in the jazz industry. Although difficult and tedious the making of the album was, "Exposure" became the reflection of progression for all women.

The awareness of it not being equitable for men and women in jazz has really come to a bit of a head,” said Terri Lyne Carrington, 52, an esteemed drummer who has long spoken out about sexism in the music industry
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Amy Bauer's Co-edited Collection of György Ligeti's Cultural Identities

Amy Bauer's co-edited collection György Ligeti's Cultural Identities was published this fall by Routledge.


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Nicole Mitchell Held a Residency at UCLA in November

Flutist, composer and improvisor Nicole Mitchell held a residency at UCLA November 8–9, giving a lecture, workshop and performance with pianist Billy Childs, vocalist Dwight Trible and bassist Mark Dresser (more information attached). Her tribute to the late composer-improvisor Muhal Richard Abrams appeared in the November issue of The Wire


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Chris Dobrian and Mari Kimura Honoring Jean-Claude Risset

Chris Dobrian and Mari Kimura performed a memorial concert honoring composer and computer music pioneer Jean-Claude Risset in Winifred Smith Hall on November 17.


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