Syllabus for:
Writing about Music
 
(MUSIC 180W)

University of California, Irvine
Winter Quarter, 2002   

Course # 06487 four units
M, W, F, 10 a.m. - 10:50 a.m. 202 Music & Media Bldg.

on-line resources

description:

“Writing about Music” is a class designed to improve the writing abilities of upper level undergraduates and graduate students in the UCI music department. Although the subject matter of the students’ writing assignments will be music, the focus of the assignments will always be the clear expression of information and ideas through writing.

In addition to two polished papers of a minimum of 2,000 words each, the class will involve the weekly production of short pieces that represent the various forms of writing (research papers, program notes, reviews, press releases, radio scripts, etc.) that might reasonably be expected from a well-educated musician. Some of these short pieces will be read aloud by the authors and discussed in class; all of them will be returned to the authors with line-by-line comments from the instructor. Whether long or short, the students’ exercises in writing will be scrutinized not just for grammar, technical style, and the accurate use of vocabulary but also for logic and appropriate literary style. 

instructor:
James Wierzbicki, Ph.D.
office: Room 103, Music & Media Building; (949) 824-3854
office hours: Mondays and Fridays, 11 a.m. – 1 p.m.
e-mail: jwierz@uci.edu or jwierz@sbcglobal.net
required text:
Radice, Mark A., ed., Irvine’s Writing about Music, 3rd edition (Portland: Amadeus 
Press, 1999).
supplementary reading materials (partial list):
Ebest, Sally Barr, et al., Writing from A to Z : The Easy-To-Use Reference
Handbook, 3rd ed. (Mountain View, CA: Mayfield Publishing, 2001).
Haskell, Harry, ed. The Attentive Listener: Three Centuries of Music 
Criticism (London: Faber and Faber, 1995).
Holoman, D. Kern. Writing about Music: A Style Sheet from the Editors 
of 19th-Century Music (Berkeley: University of California Press, 1988).
Strunk, William  Jr., and White, E.B. The Elements of Style, 4th ed. (New 
York: Allyn and Bacon, 2000).
Turabian, Kate L. A Manual for Writers of Term Papers, Theses, and 
Dissertations, 6th ed. (Chicago: University of Chicago Press, 1996).
Wingell, Richard J., Writing about Music: An Introductory Guide, 2nd ed.
(Englewood Cliffs, N.J.: Prentice Hall, 1997).
Grades will be based on:
  • Two papers, 2,000 words minimum each, on instructor-approved topics of the students' choice. The first paper will be a formal research paper and the second paper will be an essay. The topic of each paper must be submitted as an abstract; upon approval of the abstracts, the complete papers will then be submitted in both draft and polished forms. (30 percent each)
  • Short writing exercises -- assigned on a week-to-week basis -- that represent a wide variety of forms of writing about music. (30 percent)
  • Participation in class discussions and in-class writing exercises. (10 percent)
  • NOTE: While it is assumed that students will enter the class equipped with a wide range of writing skills, it will be expected that every student strive to improve on her or her skills; indeed, grading will be based largely on improvement.
Policy on academic integrity:
Plagiarism of any kind is a violation of UCI policy on Academic Honesty, and penalties for plagiarism can be severe. Students are expected to attribute due credit to the originator of any ideas or words that are incorporated substantially into a student’s work. This applies particularly to the citation of sources for quotations that students include in their writings. Violations of this policy will be reported to the office of Academic Affairs for disciplinary action.

Course outline:

WEEK

TOPIC

ASSIGNMENTS

READING

WRITING

1

Jan. 4

Introduction; materials; outline   Brief essay on writing experience, goals. (Due Jan. 7).
2

Jan. 7, 9, 11

Genres of writing; common errors (in-class exercises); definitions of  “style”; comparison of formal and informal writing; the ethics of writing; writing tools; discussion of abstracts, writing assignments. Irvine, 182-193, 131-147. Historically oriented program notes. (Due Jan. 11).

Abstract for paper #1 (formal research paper). (Due Jan. 14).

3

Jan. 14, 16, 18

In-class discussion of program notes; discussion of abstracts for paper #1; points of grammar; review of academic style requirements for footnotes, bibliography, etc.

Irvine, 50-107. Analytically oriented program notes. (Due Jan. 16).

Footnote, bibliography samples. (Due Jan. 18).

4

Jan. 23, 25

Discussion of analytical program notes; technical vocabulary (in-class exercises); technical jargon vs. plain language. Strunk & White, complete. "Translation" exercises. (Due Jan. 25).

First draft of paper #1. (Due Jan. 28)

5

Jan. 28, 30; Feb. 1

Introduction to opinionated writing (i.e., reviews, criticism, argumentative essays).

Irvine, 197-206; excerpts from Haskell. Record review #1. (Due Jan. 30).

Record review #2. (Due Feb. 1).

 

6

Feb. 4, 6, 8

Drafts of paper #1 returned.

Discussion of record reviews. Introduction to journalistic performance reviews.

Tutorials.

excerpts from Virgil Thomson, Andrew Porter, et al. Final version of paper #1. (Due Feb. 11).
7

Feb. 11, 13, 15

Discussion of readings; review of grammatical points; discussion of outlines and other organizational methods; introduction of mechanics, ethics, practice of music/arts journalism.

Irvine 20-30, 148-168; excerpts from newspapers, magazines. Performance review. (Due Feb. 15).

Outline for paper #2 (essay). (Due Feb. 20).

8

Feb. 20, 22

Paper #1 returned.                 Outlines returned.

Discussion of performance reviews; in-class exercises in “translation” of jargon into plain English.

Irvine 207-227. "Translation" exercises. (Due Feb. 22).

Performance or record review. (Due Feb. 25).

9

Feb. 25, 27; March 1

Discussion of reviews. Introduction to radio style. excerpts from G.B. Shaw, B.H. Haggin, et al. Radio commentaries. (Due March 1).

First draft of paper #2. (Due March 4).

10

March 4, 6, 8

In-class “performance” and discussion of radio commentaries. Introduction to press releases.

current press releases. Press releases. (Due March 8).
11

March 11, 13, 15

Drafts of paper #2 returned.

Discussion of press releases. General review of material.

Tutorials.

  Final version of paper #2. (Due March 22).
exam period

March 18-22

Tutorials (optional).