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Syllabus
for:
Writing about Music
(MUSIC 180W)
University
of California, Irvine
Winter Quarter, 2002
| Course # 06487 |
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four units |
| M, W, F, 10 a.m. - 10:50 a.m. |
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202 Music & Media Bldg. |
on-line resources
| description: |
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“Writing about Music” is a class
designed to improve the writing abilities of upper level
undergraduates and graduate students in the UCI music department.
Although the subject matter of the students’ writing assignments
will be music, the focus of the assignments will always be the
clear expression of information and ideas through writing.
In addition to two polished papers of
a minimum of 2,000 words each, the class will involve the weekly
production of short pieces that represent the various forms of
writing (research papers, program notes, reviews, press releases,
radio scripts, etc.) that might reasonably be expected from a
well-educated musician. Some of these short pieces will be read
aloud by the authors and discussed in class; all of them
will be returned to the authors with line-by-line comments from
the instructor. Whether long or short, the students’ exercises
in writing will be scrutinized not just for grammar, technical
style, and the accurate use of vocabulary but also for logic and
appropriate literary style. |
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| instructor: |
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| required text: |
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| Radice, Mark A., ed., Irvine’s Writing about Music,
3rd edition (Portland: Amadeus |
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Press, 1999). |
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| supplementary reading materials
(partial list): |
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| Ebest, Sally Barr, et al., Writing
from A to Z : The Easy-To-Use Reference |
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Handbook, 3rd ed. (Mountain View, CA:
Mayfield Publishing, 2001). |
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| Haskell, Harry, ed. The
Attentive Listener: Three Centuries of Music |
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Criticism (London: Faber and Faber,
1995). |
| Holoman, D. Kern. Writing
about Music: A Style Sheet from the Editors |
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of 19th-Century Music
(Berkeley: University of California Press, 1988). |
| Strunk, William Jr., and
White, E.B. The Elements of Style, 4th
ed. (New |
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York: Allyn and Bacon, 2000). |
| Turabian, Kate L. A Manual
for Writers of Term Papers, Theses, and |
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Dissertations, 6th ed.
(Chicago: University of Chicago Press, 1996). |
| Wingell, Richard J., Writing
about Music: An Introductory Guide, 2nd ed. |
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(Englewood Cliffs, N.J.: Prentice Hall,
1997). |
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| Grades will be based on: |
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- Two papers, 2,000 words minimum each, on instructor-approved
topics of the students' choice. The first paper will be a
formal research paper and the second paper will be an essay.
The topic of each paper must be submitted as an abstract; upon
approval of the abstracts, the complete papers will then be
submitted in both draft and polished forms. (30 percent each)
- Short writing exercises -- assigned on a week-to-week basis
-- that represent a wide variety of forms of writing about
music. (30 percent)
- Participation in class discussions and in-class writing
exercises. (10 percent)
- NOTE: While it is assumed that students will enter the class
equipped with a wide range of writing skills, it will be
expected that every student strive to improve on her or
her skills; indeed, grading will be based largely on
improvement.
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| Policy on academic integrity: |
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Plagiarism of any kind is a violation of UCI policy
on Academic Honesty, and penalties for plagiarism can be severe.
Students are expected to attribute due credit to the originator of
any ideas or words that are incorporated substantially into a
student’s work. This applies particularly to the citation of
sources for quotations that students include in their writings.
Violations of this policy will be reported to the office of
Academic Affairs for disciplinary action. |
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Course outline: |
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| WEEK |
TOPIC |
ASSIGNMENTS |
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READING |
WRITING |
| 1
Jan. 4 |
Introduction;
materials; outline |
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Brief essay on writing
experience, goals. (Due Jan. 7).
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| 2
Jan. 7, 9, 11
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Genres of writing; common
errors (in-class exercises); definitions of “style”; comparison of formal and informal writing; the
ethics of writing; writing tools; discussion of abstracts,
writing assignments. |
Irvine, 182-193, 131-147. |
Historically oriented program
notes. (Due Jan. 11).
Abstract for paper #1 (formal research paper). (Due
Jan. 14).
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| 3
Jan. 14, 16, 18
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In-class discussion of program notes; discussion of
abstracts for paper #1; points of grammar; review of
academic style requirements for footnotes, bibliography,
etc.
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Irvine, 50-107. |
Analytically oriented program
notes. (Due Jan. 16).
Footnote, bibliography samples. (Due Jan. 18).
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| 4
Jan.
23, 25
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Discussion of analytical
program notes; technical vocabulary (in-class exercises);
technical jargon vs. plain language. |
Strunk & White, complete. |
"Translation"
exercises. (Due Jan. 25).
First draft of paper #1. (Due Jan. 28)
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| 5
Jan.
28, 30; Feb. 1
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Introduction to opinionated writing (i.e., reviews,
criticism, argumentative essays). |
Irvine, 197-206; excerpts from
Haskell. |
Record review #1. (Due Jan.
30).
Record review #2. (Due Feb. 1).
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| 6
Feb.
4, 6, 8
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Drafts of paper #1 returned.
Discussion of record reviews. Introduction to
journalistic performance reviews.
Tutorials. |
excerpts from Virgil Thomson,
Andrew Porter, et al. |
Final version of paper #1. (Due
Feb. 11). |
| 7
Feb.
11, 13, 15
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Discussion of readings; review of grammatical points;
discussion of outlines and other organizational methods;
introduction of mechanics, ethics, practice of music/arts
journalism. |
Irvine 20-30, 148-168; excerpts
from newspapers, magazines. |
Performance review. (Due Feb.
15).
Outline for paper #2 (essay). (Due Feb. 20). |
| 8
Feb.
20, 22
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Paper #1
returned.
Outlines returned.
Discussion
of performance reviews; in-class exercises in
“translation” of jargon into plain English.
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Irvine 207-227. |
"Translation" exercises. (Due Feb. 22).
Performance or record review. (Due Feb. 25).
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| 9
Feb.
25, 27; March 1
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Discussion of reviews.
Introduction to radio style. |
excerpts from G.B. Shaw, B.H.
Haggin, et al. |
Radio commentaries. (Due March
1).
First draft of paper #2. (Due March 4). |
| 10
March 4, 6, 8
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In-class “performance” and discussion of radio
commentaries. Introduction to press releases. |
current press releases. |
Press releases. (Due March 8). |
| 11
March 11, 13, 15
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Drafts of paper #2 returned.
Discussion of press releases. General review of
material.
Tutorials. |
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Final version of paper #2. (Due
March 22). |
| exam period
March 18-22
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Tutorials (optional). |
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