| I.
True form of Jazz |
|
(a)
Ten years ago – “Livery Stable Blues” |
Nick
La Rocca |
|
(b))
With modern embellishment – “Mama Loves Papa”
|
bel Baer |
|
|
|
| II.
Comedy selections |
|
|
(a)
Origins of “Yes, We Have No Bananas” |
Frank
Silver |
|
(b)
Instrumental comedy – “So This Is Venice”
(adapted from
"The Carnival of Venice") |
Theodore
Thomas |
|
|
|
| III.
Contrast – Legitimate Scoring vs. Jazzing |
|
|
(a)
Selection in true form – “Whispering”
|
John
Schoenberger |
|
(b)
Same selection in jazz treatment |
|
|
|
|
| IV.
Recent Compositions with Modern Score |
|
|
(a)
“Limehouse Blues” |
Philip
Braham |
|
(b)
“Linger Awhile” |
Benson
Rose |
|
(c)
“Raggedy Ann”
|
Jerome
Kern |
|
|
|
|
V.
Zez Confry, piano |
|
|
|
|
|
(a)
“Kitten on the Keys” |
Zez
Confrey |
|
(b)
“Three Little Oddities” |
Zez
Confrey |
|
|
Romanza |
|
Impromptu |
|
Novelette |
|
|
|
(c)
“Nickel in the Slot” (accompanied by the orchestra) |
Zez
Confrey |
|
|
|
|
INTERMISSION |
|
|
|
| V.
Flavouring a Selection with Borrowed Themes |
|
|
(a)
“Russian Rose” (based on “Volga Boat Song”)
|
Ferde
Grofé/Peter DeRose |
|
|
| VI.
Semi-Symphonic Arrangements of Popular Melodies |
|
|
(a)
“Alexander’s Ragtime Band” |
Irving
Berlin |
|
(b)
“A Pretty Girl Is Like a Melody” |
Irving
Berlin |
|
(c)
“Orange Blossoms in California” |
Irving
Berlin |
|
|
|
| VII.
A Suite of Serenades
|
Victor
Herbert |
|
(a)
Spanish |
|
|
(b)
Chinese |
|
|
(c)
Cuban |
|
|
(d)
Oriental |
|
|
|
|
| IX.
Adaptation of Standard Selections to Dance Rhythm |
|
|
(a)
“Pale Moon” |
Frederick
Knight Logan |
|
(b)
“To a Wild Rose” |
Edward
MacDowell |
|
(c)
“Chansonette” |
Rudolf
Friml |
|
|
|
| X.
Rhapsody in Blue, by George Gershwin |
|
|
(George
Gershwin at the piano, accompanied by the orchestra) |
|
|
|
|
| XI.
In the Field of the Classics |
|
|
“Pomp
and Circumstance” |
Sir Edward Elgar |